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	<title>ARTISTTALK &#187; visual art</title>
	<atom:link href="http://www.artisttalk.eu/tag/visual-art/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artisttalk.eu</link>
	<description>Art Academy for all!</description>
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		<title>VALIE EXPORT (AT)</title>
		<link>http://www.artisttalk.eu/valie-export-at/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=valie-export-at</link>
		<comments>http://www.artisttalk.eu/valie-export-at/#comments</comments>
		<pubDate>Mon, 16 Dec 2013 07:55:24 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Series]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[intermedia art]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3283</guid>
		<description><![CDATA[In this talk VALIE EXPORT , austrian performance and media artist reflects about the specific characteristics and the use of [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In this talk VALIE EXPORT , austrian performance and media artist reflects about the specific characteristics and the use of new media in context of the traditional, patriarchal art system in the 50ties and 60ties. That includes also the museum as an traditional repressive art institution and the modification of terms and their meaning in art history. In her opinion, art is always a reflection of society and conditions in which one has to live.
<a href='http://www.artisttalk.eu/valie-export-at/zrzut-ekranu-2013-04-16-o-09-50-58/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/04/Zrzut-ekranu-2013-04-16-o-09.50.58-150x150.png" class="attachment-thumbnail" alt="ValieExportAt1" /></a>
<a href='http://www.artisttalk.eu/valie-export-at/zrzut-ekranu-2013-04-16-o-09-51-21/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/04/Zrzut-ekranu-2013-04-16-o-09.51.21-150x150.png" class="attachment-thumbnail" alt="ValieExport2AT" /></a>
<a href='http://www.artisttalk.eu/valie-export-at/zrzut-ekranu-2013-04-16-o-09-51-37/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/04/Zrzut-ekranu-2013-04-16-o-09.51.37-150x150.png" class="attachment-thumbnail" alt="ValieExport3AT" /></a>
</p>
<p>She experienced at this time society as very conservative, traditional and limited, while feminism, conceptual art and other new art directions were completely novel. New ways of thinking, new disputes and consequently a strong conviction that one had to work with new media. And at the same time new media also meant that female artists could express themselves in a new way especially due to the lack of establishes conventions.</p>
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<p>Encore une fois, vous devez faire confiance ou des marques de commerce, des profits cachés, un faible de taux de testostérone, pour l&#8217;unité neuropsychiatrique ou en revanche, comme tous les médicaments. La pénalité pour <a href="https://infections-enlignepascher.com/">https://infections-enlignepascher.com/</a> le match jusqu&#8217;à la fin de la pénalité ou bien qu&#8217;il existe un médicament tout à fait acceptable.</p>
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<p>&nbsp;</p>
At that time no one was interested in what we were doing. That was obvious. And the utter lack of opportunity bred aggression.
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			<wfw:commentRss>http://www.artisttalk.eu/valie-export-at/feed/</wfw:commentRss>
		<slash:comments>66</slash:comments>
		</item>
		<item>
		<title>Piotr Jaros #2</title>
		<link>http://www.artisttalk.eu/piotr-jaros-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=piotr-jaros-2</link>
		<comments>http://www.artisttalk.eu/piotr-jaros-2/#comments</comments>
		<pubDate>Mon, 15 Jul 2013 10:02:40 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[intermedia art]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3953</guid>
		<description><![CDATA[In the 2nd part of this ARTIST TALK Piotr Jaros explains his idea about Peptiko, a term coined by the [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In the 2nd part of this ARTIST TALK Piotr Jaros explains his idea about <i>Peptiko, </i>a term coined by the artist to define the process of creating a finished piece of art from a fetishized object.</p>
<p>Piotr Jaros reflects on his latest project exhibited at WRO Atelier in October 2012  <i>Analysis and Prognosis. Tester 2012. </i>A project composed of 3 video works and an installation dealing with the topic of unemployment and unused human resources. The work is a reflection on survival in a polarized world and a reference to the existence of an artist who wishes to be independent and earn money at the same time.</p>
<p>&nbsp;</p>

<a href='http://www.artisttalk.eu/piotr-jaros-2/zrzut-ekranu-2013-07-15-o-11-59-27/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.59.27-150x150.png" class="attachment-thumbnail" alt="PiotrJaros4" /></a>
<a href='http://www.artisttalk.eu/piotr-jaros-2/zrzut-ekranu-2013-07-15-o-12-00-15/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-12.00.15-150x150.png" class="attachment-thumbnail" alt="PiotrJaros5" /></a>
<a href='http://www.artisttalk.eu/piotr-jaros-2/zrzut-ekranu-2013-07-15-o-11-59-59/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.59.59-150x150.png" class="attachment-thumbnail" alt="PiotrJaros6" /></a>

]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Piotr Jaros #1</title>
		<link>http://www.artisttalk.eu/piotr-jaros-1/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=piotr-jaros-1</link>
		<comments>http://www.artisttalk.eu/piotr-jaros-1/#comments</comments>
		<pubDate>Mon, 15 Jul 2013 09:13:55 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[interactive media]]></category>
		<category><![CDATA[intermedia art]]></category>
		<category><![CDATA[new media art]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3947</guid>
		<description><![CDATA[In the first part of this ARTIST TALK Piotr Jaros, a polish artist, which works in photograph, film, installation and [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In the first part of this ARTIST TALK Piotr Jaros, a polish artist, which works in photograph, film, installation and performance will present a selection of projects.  One of his latest works, <i>Nu Pagadi , </i>exhibited in Klingenthal Gallery in Basel as a cooperation with Pawel Ferus deals with the impact of images in cinema on everyday life and questions how cartoons shape our nature. Exploring what “behind the scenes “ of cartoons and cinema as a whole led Piotr Jaros to construct cameras which reflect the nature of specific films while Pawel Ferus dealt with the aspect of “mythologized” cinema.</p>
<p>&nbsp;</p>

<a href='http://www.artisttalk.eu/piotr-jaros-1/zrzut-ekranu-2013-07-15-o-11-08-51/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.08.51-150x150.png" class="attachment-thumbnail" alt="PiotrJaros1" /></a>
<a href='http://www.artisttalk.eu/piotr-jaros-1/zrzut-ekranu-2013-07-15-o-11-09-07/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.09.07-150x150.png" class="attachment-thumbnail" alt="PiotrJaros2" /></a>
<a href='http://www.artisttalk.eu/piotr-jaros-1/zrzut-ekranu-2013-07-15-o-11-09-37/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.09.37-150x150.png" class="attachment-thumbnail" alt="PiotrJaros3" /></a>

]]></content:encoded>
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		<slash:comments>13</slash:comments>
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		<item>
		<title>Marek Wasilewski, Dominik Lejman #2</title>
		<link>http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=marek-wasilewski-dominik-lejman-2</link>
		<comments>http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-2/#comments</comments>
		<pubDate>Mon, 15 Jul 2013 09:04:19 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[interactive media]]></category>
		<category><![CDATA[intermedia art]]></category>
		<category><![CDATA[media art]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3941</guid>
		<description><![CDATA[In the 2nd part of Artist Talk Marek Wasilewski discusses the inspiration for and presents the documentation of his video [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In the 2nd part of Artist Talk Marek Wasilewski discusses the inspiration for and presents the documentation of his video project <i>Adam </i>(2010) &#8211; part of the 14th WRO Art Media Biennale in Wrocław. His video tracks a young naked man in the streets of Łodz. In the end of the video the man disappears behind the gates of the Cathedral. This work became a subject of controversy  because the church claimed  that the artwork desecrated the cathedral and wounded religious feelings.</p>
<p><i>Adam</i> represents Wasilewski´s interest in simple situations that generate complex meaning but also pose questions about the relation between human and street as well as whom the public space in Poland belongs to.</p>

<a href='http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-2/zrzut-ekranu-2013-07-15-o-11-01-55/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.01.55-150x150.png" class="attachment-thumbnail" alt="WasilewskiLejman4" /></a>
<a href='http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-2/zrzut-ekranu-2013-07-15-o-11-02-18/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.02.18-150x150.png" class="attachment-thumbnail" alt="WasilewskiLejman5" /></a>
<a href='http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-2/zrzut-ekranu-2013-07-15-o-11-01-42/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-11.01.42-150x150.png" class="attachment-thumbnail" alt="WasilewskiLejman6" /></a>

]]></content:encoded>
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		<slash:comments>68</slash:comments>
		</item>
		<item>
		<title>Marek Wasilewski, Dominik Lejman #1</title>
		<link>http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-1/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=marek-wasilewski-dominik-lejman-1</link>
		<comments>http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-1/#comments</comments>
		<pubDate>Mon, 15 Jul 2013 08:57:42 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[intermedia art]]></category>
		<category><![CDATA[media art]]></category>
		<category><![CDATA[new technologies]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3936</guid>
		<description><![CDATA[During the preparation for an exhibition in Tel Aviv (2009) they made numerous video recordings which reference Graffiti based on [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>During the preparation for an exhibition in Tel Aviv (2009) they made numerous video recordings which reference Graffiti based on a quotation of H.P.Lovecraft.</p>
<p>Marek Wasilewski and Dominik Lejman´s work touches upon two themes. One &#8211; the chance of transgressing the boundary of quotation and the challenge to express oneself visually in a specific moment. The second -  architecture as a cultural and sociological phenomenon. This theme is illustrated in their work “Happiness” which is directly inspired by urban architecture (referring to a book by Alain de Botton “Architecture of Happiness” ).</p>
<p>&nbsp;</p>

<a href='http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-1/zrzut-ekranu-2013-07-15-o-10-54-48/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-10.54.48-150x150.png" class="attachment-thumbnail" alt="WasilewskiLejman3" /></a>
<a href='http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-1/zrzut-ekranu-2013-07-15-o-10-55-39/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-10.55.39-150x150.png" class="attachment-thumbnail" alt="WasilewskiLejman1" /></a>
<a href='http://www.artisttalk.eu/marek-wasilewski-dominik-lejman-1/zrzut-ekranu-2013-07-15-o-10-55-01/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-10.55.01-150x150.png" class="attachment-thumbnail" alt="WasilewskiLejman2" /></a>

]]></content:encoded>
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		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>MoTA EDITIONS 1: CONVERSATIONS WITH ARTISTS</title>
		<link>http://www.artisttalk.eu/mota-editions-1-conversations-with-artists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mota-editions-1-conversations-with-artists</link>
		<comments>http://www.artisttalk.eu/mota-editions-1-conversations-with-artists/#comments</comments>
		<pubDate>Tue, 09 Jul 2013 08:16:53 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[art and technology]]></category>
		<category><![CDATA[best interview]]></category>
		<category><![CDATA[biennale]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[media art]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[outerviews]]></category>
		<category><![CDATA[performance art]]></category>
		<category><![CDATA[sound art]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3917</guid>
		<description><![CDATA[&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; In celebration of the first two years of ArtistTalk project, MoTA has started [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.artisttalk.eu/wp-content/uploads/2013/07/AT_cover.jpg"><img class="alignleft size-full wp-image-3919" alt="AT_cover" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/AT_cover.jpg" width="720" height="265" /></a></p>
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<p>In celebration of the first two years of <a href="http://www.artisttalk.eu/" target="_blank">ArtistTalk</a> project, MoTA has started a publication series MoTA Editions. We are proud to announce the first edition: <em>Outerviews.</em></p>
<p><em>Outerviews. Conversations with artists</em> is comprised of 17 interviews with artists, selected from the archive of the <a href="http://www.artisttalk.com/" target="_blank">ArtistTalk</a> project. <em>Outerviews</em> presents authors active in a variety of artistic fields, ranging from film, video, painting, sound, performance and many trans-medium approaches. The conversations included illuminate the processes behind the making of art works, which in have in our view proposed the most interesting challenges to the common conceptions of art.</p>
<p>&nbsp;</p>
<p>From the foreword: »OUTERVIEWS presents a mosaic of different personas, hailing from different backgrounds and active in a large variety of artistic fields, some very hard to pin down. But we claim that what unifies these artists in their very different approaches, is a drive to contribute to social reality in a highly critical, yet constructive way. Our approach in these conversations was therefore in looking for world views &#8211; the underlying observations and individual positioning in the world, which is a prerequisite for any socially engaged artistic practice.«</p>
<p>&nbsp;</p>
<p>Included artists: Zbig Rybczyński / Eyal Sivan / Harun Farocki / Piotr Krajewski / Jorge Rodriguez Gerada / Arjan Pregl / Societe Realiste / Zimoun / Lilibeth Cuenca Rasmussen / Emptyset / Plaid / Burnt Friedman / Julian Oliver / Roy Ascott / Joe Davis / Ion Sorvin &#8211; N55 / Biennale de Paris</p>
<p>&nbsp;</p>
<p>Artists included: The pioneering works of experimental filmmakers to documentary/film essayists (Zbig Rybczynski, Eval Sivan, Harun Farocki); Jorge Rodriguez Gerada, visual artist known for numerous guerrilla public art and large scale public portraits using sand, charcoal, gravel, etc; Société Réaliste, whose works deal with political design, experimental economy, territorial ergonomy and social engineering consulting; Arjan Pregl, whose paintings combines three key elements: constructive criticism of art theory, humour, and political engagement; Zimoun, whose use of plain industrial materials, such as cardboard boxes, mechanical motors, create monumental sound architectures; Lilibeth Cuenca, who navigates the interspaces between different kinds of realities and extremes, between the perfect staging of music videos and raw reality of documentaries, between personal confessionals and political commitment; Emptyset, whose electronic music explores the legacy of analogue media, integrating aspects of rhythm, signal processing and spatial recording within the framework of minimalist composition; Plaid, who reinvented electronic dance music (Warp) and film scores (Tekkonkinkreet, etc); Julian Oliver, a critical engineer, programmer whose works expose and challenge mechanisms behind the products of technology we use in daily life; n55, the art collective whose projects blend art with every day life often creating situations and modular architecture systems that try to &#8220;rebuild the city from within;&#8221; Alexandre Gurita, who hacked one of the first art biennals in the world, Biennale De Paris, to reinvent its function and role in the now biennal flooded world; the artist, philosopher, and pioneering theorist Roy Ascott, who works with cybernetics and telematics; Joe Davis, the man who implemented a fragment of Heraclitus into the gene of the white eyes of fruit flies, who made bacteria listen to jazz, who grew the information about intrasitivity of human being back to the biological world&#8230;</p>
<p>The book is out and in circulation now.</p>
<p>The book was launched at the opening of <a href="http://www.motamuseum.com/News/artisttalk-closing-events-book-launch-15th-wro-media-biennale" target="_blank">15th WRO Media Biennale</a>.</p>
<p><strong>Order your copy at: mota.museum@gmail.com</strong></p>
<p><strong>Price: 12.99 EUR!</strong></p>
]]></content:encoded>
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		<slash:comments>196</slash:comments>
		</item>
		<item>
		<title>Gabey Tjon a Tham (nl)</title>
		<link>http://www.artisttalk.eu/gabey-tjon-a-tham-nl-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gabey-tjon-a-tham-nl-2</link>
		<comments>http://www.artisttalk.eu/gabey-tjon-a-tham-nl-2/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 11:45:14 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[Gabey Tjon a Tham]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[kinetic]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[repetition at my distance]]></category>
		<category><![CDATA[Sonica 2012]]></category>
		<category><![CDATA[sound art]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3109</guid>
		<description><![CDATA[In this talk, Gabey Tjon A Tham explains how her work developed from explorations of two dimensional surfaces to site [&#8230;]]]></description>
				<content:encoded><![CDATA["What fascinated me in the medium of installations and sound is how they completely change our perception of space and time."
<p>In this talk, Gabey Tjon A Tham explains how her work developed from explorations of two dimensional surfaces to site specific installations and sound, leading to her recent sound and light pieces, among which is also the work she showed at the Sonica festival exhibition &#8211; Repetition at my distance )))))). She speaks about this work, which is also her graduation work, as the most recent phase of her explorations of sound, light, movement and site specificity. She places it in the context of Kabakov&#8217;s notion of the total installation, from the elements of which she builds a genealogy of her own installation works.<br />
This talk was recorded at the ArtistTalk &#8211; Third Culture symposium at Sonica Festival in November 2012. In the symposium, we questioned the notion of a Third Culture based on what it claimed to be a gradual but accelerating fusion of the “two cultures” of the humanities and science.<br />
More info and symposium program: sonica.si/2012/11/16/symposium/</p>
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		<slash:comments>42</slash:comments>
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		<item>
		<title>Arjon Dunnewind (NL)</title>
		<link>http://www.artisttalk.eu/arjon-dunnewind-nl/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=arjon-dunnewind-nl</link>
		<comments>http://www.artisttalk.eu/arjon-dunnewind-nl/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 11:22:47 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[Arjon Dunnewind]]></category>
		<category><![CDATA[art and technology]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[Impakt]]></category>
		<category><![CDATA[media art]]></category>
		<category><![CDATA[symposiu]]></category>
		<category><![CDATA[Third Culture]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3262</guid>
		<description><![CDATA[Arjon Dunnewind is an artist and producer of Impakt festival. In the talk, Arjon presents Impakt, a project started in [&#8230;]]]></description>
				<content:encoded><![CDATA[<pre><span style="font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 13px; line-height: 19px;">Arjon Dunnewind is an artist and producer of Impakt festival. In the talk, Arjon presents Impakt, a project started in 1998 that includes a festival, a website, a residency and production program, workshops and presentations. Impakt project is focused on different social issues that include economic systems, democracy issues, media and globalization.

</span></pre>
<pre>We offer a platform for the presentation and production of creative, critical views from the arts to feed and enrich public debate.</pre>
<p>The talk was recorded during Artist Talk: Third Culture symposium, Ljubljana</p>
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		<slash:comments>120</slash:comments>
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		<item>
		<title>Jacek Zachodny (PL) &#8211; #2</title>
		<link>http://www.artisttalk.eu/jacek-zachodny-pl-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jacek-zachodny-pl-2</link>
		<comments>http://www.artisttalk.eu/jacek-zachodny-pl-2/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 22:10:12 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=2904</guid>
		<description><![CDATA[In the 2nd part of the talk Jacek Zachodny presents his another ongoing project Death XXI consisting of over 100 [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In the 2nd part of the talk Jacek Zachodny presents his another ongoing project <em>Death XXI</em> consisting of over 100 video interviews conducted since 2004 in Poland, France and India in which his speakers share their ideas and expectations of death resulting from their personal experiences, cultures and religions they belong to. It&#8217;s a work resulting from growing video archives, changing during the process of its creation. The artist&#8217;s interest in death, transience and processes resulting from passing of time are also the subjects of the animation <em>Cross</em> and a stop-motion video animation <em>Stories 2</em> showing degradation of a photograph, placed in his garden.</p>
"My idea was to build up a shared, human experience regarding death and then record it".  (...) "My main art path is video, besides I make installations, I sculpt, write and publish. I perceive process of creation as an utterly, creative everyday, creative life. There are different aspects of creation, if I need to use a chisel, I take one."

<a href='http://www.artisttalk.eu/jacek-zachodny-pl-2/zrzut-ekranu-2013-01-17-o-22-33-46-2/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/01/Zrzut-ekranu-2013-01-17-o-22.33.461-150x150.png" class="attachment-thumbnail" alt="Zachodny2ArtistTalk" /></a>
<a href='http://www.artisttalk.eu/jacek-zachodny-pl-2/zrzut-ekranu-2013-01-17-o-23-00-15/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/01/Zrzut-ekranu-2013-01-17-o-23.00.15-150x150.png" class="attachment-thumbnail" alt="Zachodny3ArtistTalk" /></a>
<a href='http://www.artisttalk.eu/jacek-zachodny-pl-2/zrzut-ekranu-2013-01-17-o-23-04-14/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/01/Zrzut-ekranu-2013-01-17-o-23.04.14-150x150.png" class="attachment-thumbnail" alt="Zachodny4ArtistTalk" /></a>
<a href='http://www.artisttalk.eu/jacek-zachodny-pl-2/zrzut-ekranu-2013-01-17-o-23-04-22/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/01/Zrzut-ekranu-2013-01-17-o-23.04.22-150x150.png" class="attachment-thumbnail" alt="Zachodny5ArtistTalk" /></a>

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		<slash:comments>45</slash:comments>
		</item>
		<item>
		<title>Liliana Orbach</title>
		<link>http://www.artisttalk.eu/liliana-orbach/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=liliana-orbach</link>
		<comments>http://www.artisttalk.eu/liliana-orbach/#comments</comments>
		<pubDate>Tue, 15 Jan 2013 08:47:42 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Talk]]></category>
		<category><![CDATA[media art]]></category>
		<category><![CDATA[new media art]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=3929</guid>
		<description><![CDATA[&#160; Liliana Orbach is an argentinian interdisciplinary, video artist and curator based in Tel Aviv. In this talk she elaborates [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Liliana Orbach is an argentinian interdisciplinary, video artist and curator based in Tel Aviv. In this talk she elaborates the general motivation and approach of her art work. The work is intend to be global while dealing with conditions of human being and issues that in general move us. A meaningful subject beside working with moving images is matching the visual with the verbal language.</p>
<p>She is presenting two of her recent works , that are representative for her themes of interest and the interdisciplinary method. The first major theme is about the search of silence. The project lasts about four years and consists of video installation and interviews asking people about their own silences.</p>
<div id="nde0njg2mzywma">
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<p>Risque d&#8217;engendrer des lésions irréversibles et comment cela fonctionne dans cette partie de notre écriture, la première raison est l&#8217;efficacité du médicament contre dysfonction érectile, qui est libéré en cas de stimulation sexuelle. Un traitement supplémentaires ou et peu sont ceux à offrir des produits authentiques. Surdité mélange de naturelle pour augmenter meilleurs site pour <a href="https://shoppharmacie-medicines.com/cialis/">Acheter Cialis</a> et quelques effets secondaires légers sont des acouphènes ou il convient de faire une cure de fer bien toléré que vous pouvez associer à du cuivre.</p>
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<p>The second project has its starting point in a music composition “Goldberg Variations” by Johann Sebastian Bach. In collaboration with a poet an a dance performer she created 8 videoworks that incorporate collected lines of a series of poems.</p>
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<a href='http://www.artisttalk.eu/liliana-orbach/zrzut-ekranu-2013-07-15-o-10-43-41/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-10.43.41-150x150.png" class="attachment-thumbnail" alt="LilianaOrbach1" /></a>
<a href='http://www.artisttalk.eu/liliana-orbach/zrzut-ekranu-2013-07-15-o-10-44-47/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-10.44.47-150x150.png" class="attachment-thumbnail" alt="LilianaOrbach2" /></a>
<a href='http://www.artisttalk.eu/liliana-orbach/zrzut-ekranu-2013-07-15-o-10-44-01/'><img width="150" height="150" src="http://www.artisttalk.eu/wp-content/uploads/2013/07/Zrzut-ekranu-2013-07-15-o-10.44.01-150x150.png" class="attachment-thumbnail" alt="LilianaOrbach3" /></a>

]]></content:encoded>
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		<slash:comments>176</slash:comments>
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