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	<title>ARTISTTALK &#187; Paraflows</title>
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		<title>Amelia Andersdotter (se)</title>
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		<pubDate>Fri, 26 Jul 2013 13:38:22 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Series]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Amelia Andersdotter]]></category>
		<category><![CDATA[law]]></category>
		<category><![CDATA[monochrom]]></category>
		<category><![CDATA[Paraflows]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[post democracy]]></category>
		<category><![CDATA[power]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=4045</guid>
		<description><![CDATA[Post-democracy is the state wherein which much political power and many le- gislative, including interpretative, competences are moved away from [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Post-democracy is the state wherein which much political power and many le-<br />
gislative, including interpretative, competences are moved away from directly<br />
elected representatives of the people, to a global level where diplomatic repre-<br />
sentatives of representatives of governments make very detailed requirements<br />
on how the legislation in the signatory states of the trade agreements should<br />
look and behave. Coupled with the development of trade agreement conflict<br />
resolution systems, such as arbitration courts to resolve disputes between the<br />
contracting parties, which give indicating guidelines not only on how the parties<br />
have conformed with obligations relation to gradual reduction of tariffs, but also<br />
on the nature of legislative or administrative measures permitted in the signa-<br />
tory states, this poses a significant democratic deficit. The writing and the inter-<br />
pretation of law, effectively, reside outside of the parliamentary system and<br />
much power is transferred to the executive of each nation.</p>
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		<slash:comments>39</slash:comments>
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		<title>Anouk Wipprecht (nl)</title>
		<link>http://www.artisttalk.eu/anouk-wipprecht-nl/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=anouk-wipprecht-nl</link>
		<comments>http://www.artisttalk.eu/anouk-wipprecht-nl/#comments</comments>
		<pubDate>Fri, 26 Jul 2013 12:42:04 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Panel Discussion]]></category>
		<category><![CDATA[Series]]></category>
		<category><![CDATA[animated clothing]]></category>
		<category><![CDATA[anouk wipprecht]]></category>
		<category><![CDATA[arduino]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[micro controllers]]></category>
		<category><![CDATA[monochrom]]></category>
		<category><![CDATA[Paraflows]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=4033</guid>
		<description><![CDATA[With a background in Fashion Design (2000-2010), her interest lead towards com- bining her fashion study with interaction design/user experience [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>With a background in Fashion Design (2000-2010), her interest lead towards com-<br />
bining her fashion study with interaction design/user experience design. And as<br />
she started with the integration of robotic parts in combination with Arduino&#8217;s<br />
during 2006, her interest grew towards &#8220;animating&#8221; her designs.<br />
Microcontrollers are used to prototype before making customized circuit boards<br />
to &#8216;feed&#8217; the electronically -equipped dresses and instead of using ordinary<br />
electronics like LED&#8217;s, her projects are based on more &#8216;uncontrolled&#8217; materials<br />
like special e -foils, wearable smoke providers, and tube-systems consisting of<br />
colored liquid. Curator of the TECHNOSENSUAL &#8216;Where fashion meets Tech-<br />
nology&#8217; exhibition that took place at MuseumsQuartier Wien, she gives an insight to what it takes to create &#8216;Electronic Couture&#8217;.</p>
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		<slash:comments>46</slash:comments>
		</item>
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		<title>Johannes Grenzfurthner (at)</title>
		<link>http://www.artisttalk.eu/johannes-grenzfurthner/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=johannes-grenzfurthner</link>
		<comments>http://www.artisttalk.eu/johannes-grenzfurthner/#comments</comments>
		<pubDate>Fri, 26 Jul 2013 12:34:45 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Series]]></category>
		<category><![CDATA[cultural grammar]]></category>
		<category><![CDATA[Johannes Grenzfurthner]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Paraflows]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[reality]]></category>

		<guid isPermaLink="false">http://www.artisttalk.eu/?p=4030</guid>
		<description><![CDATA[In a media-based society it is the signs and signifieds, the meanings and habits and conventions of speaking and thinking, [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In a media-based society it is the signs and signifieds, the meanings and habits<br />
and conventions of speaking and thinking, the images and stereotypes which<br />
control everything. This is something I would call the cultural grammar of reality<br />
&#8211; and power is formed within it. Access and non-access to each and every<br />
thing is regulated in its realm. What is OPEN and what is CLOSED is defined in<br />
a complex process of negotiation, and we partake in it every single day. We<br />
are not as helpless in changing the way of the world, as we might think. But<br />
this process also has a downside: We have to be careful what we wish for.</p>
<p>We just might receive it.</p>
<p>&nbsp;</p>
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		<slash:comments>36</slash:comments>
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