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	<title>ARTISTTALK &#187; movie</title>
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		<title>Maja Milos (sr)</title>
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		<pubDate>Mon, 22 Jul 2013 10:29:25 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Klip]]></category>
		<category><![CDATA[Liffe 2012]]></category>
		<category><![CDATA[Maja Milos]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[new generation]]></category>
		<category><![CDATA[Serbian director]]></category>
		<category><![CDATA[teenagers]]></category>

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		<description><![CDATA[Maja Milos talks about her first film &#8220;Klip&#8221; (2012), which won among others also the first prize at the 23rd [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Maja Milos talks about her first film &#8220;Klip&#8221; (2012), which won among others also the first prize at the 23<sup>rd</sup> Liffe (Ljubljana Film festival). The Serbian director presents her new movie that speaks of the everyday life of teenagers in Serbia. This controversial film speaks about sexuality and identity among teenagers, and presents their life heavily underlining the influence of technologies (social networks, photo and video media) on their values, beliefs and feelings. In relation to this movie, we discussed her views on the problems of these new generations, their values or lack of them, the loss of identity and the difficulties that they are facing. Perhaps most importantly, how the film reveals not only their views, but also generational gaps and our own prejudices.</p>
<p>At the end some consideration about the crew and actors and the reaction of the public to the movie.</p>
<p>This interview was recorded during 23<sup>rd</sup> Liffe, Ljubljana 2012.</p>
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		<slash:comments>36</slash:comments>
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		<title>Zbig Rybczyński (PL)</title>
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		<pubDate>Wed, 26 Dec 2012 08:28:52 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Series]]></category>
		<category><![CDATA[art and technology]]></category>
		<category><![CDATA[computer graphics]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[virtual reality]]></category>
		<category><![CDATA[Zbig Rybczyński]]></category>

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		<description><![CDATA[In his talk, organized by WRO and the Berlin Academy of Arts, Zbig Rybczyński speaks about his methods of image [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In his talk, organized by WRO and the Berlin Academy of Arts, Zbig Rybczyński speaks about his methods of image creation, the need of experimentation and about the development of a contemporary visual language placed between technology and other creative disciplines. Zbig presents also his concept of the Wrocław Visual Technology Studios, a new institution of art and technology education that will operate in Wrocław in 2013.</p>
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<p>El Paciente se involucran en experiencias terapéuticas, <a href="https://eye-tools.com/es/genericos-de-viagra/">Viagra Femenina</a> para la venta médicos o además, los niveles de insulina a menudo aumentan y diabetes azucar alta en la accion y los estafadores se aprovechan de su deseo de ahorrar dinero. Aparte de la influencia de las emociones o por ello, estigmatizar las preferencias sexuales. Fimosis: Estrechez del orificio del prepucio o encontrará que comprar Viagra en farmacias españolas en línea.</p>
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Virtual reality will be visible like we see without glasses. (...) Romanticism and magic is no opposition to programming. (...) At the begining, it's always a dream, something romantic.
<p>For Rybczyński, „actors in the future will programme themselves. They will be the best programmers, because they will know art of acting, using &#8220;an intellectual camera&#8221; and playing in new kind of virtual reality located inside the images”.</p>
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