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	<title>ARTISTTALK &#187; cineopera</title>
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		<title>Michael Nyman (UK)</title>
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		<pubDate>Thu, 06 Sep 2012 10:15:41 +0000</pubDate>
		<dc:creator><![CDATA[neja]]></dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[audiovisual]]></category>
		<category><![CDATA[cineopera]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Michael Nyman]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[soundtrack]]></category>

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		<description><![CDATA[In the interview, we talk primarily about his film works. Nyman compares film and music editing, talks about his film [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>In the interview, we talk primarily about his film works. Nyman compares film and music editing, talks about his film collaboration with Peter Greenaway, about recycling and layering.He also tells us where the music comes from. And also, why he is turning his music into a soundtrack, even though he hates being called a soundtrack artist.</p>
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